The Flying Buttress
Where opinions support the facts
David Wilson – Managing To Consider All Sides Thoughtfully And Completely
Jan 23rd
This way, they argue, we close off billions of dollars in income to the drug gangs of Mexico currently attempting to overthrow the Mexican nation. But in truth there can be no simple solution to the Latin American criminal organization problem. Observers seem to claim that drug prohibition is hopeless and that it is time to decriminalize marijuana.
Marijuana leads to emphyzema, respiratory damage, and cancer similar to tobacco. Yet unlike tobacco, marijuana also leads to long-term memory loss and brain damage; thus if we must cultivate a necessary watch against tobacco it makes no sense to accept marijuana. For example, marijuana is undeniably a medically dangerous plant.
However, even if marijuana were better than tobacco criminal organizations are a reality. The criminals won’t vanish only because this gold mine has been blocked to them. Information concerning marijuana’s unheathly nature has been available for years but advocates of legitimacy have done all they can to obscure the research under lies and propaganda.
Drug lords seldom restrict their crimes to drugs. They might smuggle contraband that have a high resale value. Customers routinely create resale value as long as they crave things they cannot rightfully obtain. The true problem in that event is not that prohibition fails but really that the young men who support the criminal organizations find no alternative to the criminal life. Actually, the drug gangs surely will seek alternative ways to exploit people.
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Stan Jones – Similarly, Harmony Is Dynamic, Abstract, Mercurial,
Jan 8th
Similarly, harmony is dynamic, abstract, mercurial, unidimensional; however architecture must be static, equitable, firm, multidimensional; sustaining near comparableness to melody and other artistic crafts as does your own body to the various organs which make up, and awarenesses which animate it (it being the repository of these portions and the agency of these awarenesses); and a work of architecture likewise must surely include all of society’s values in its construction. Statuary accents and enhances, painting beautifies, fabulous epics are stockpiled behind its doors, poetry and stagecraft awake its resonances, while song thrills to its farthest alcoves, as the one’s soul trembling through a man.
Such being the conjunction between them, the contrast in the framework of the ideas realized in harmony and in aesthetic construction becomes apparent. Melody is intimate, abstruse, illusory, speaking entirely to the mind in an elegant and universal tongue whose context is native and particular in the mind of all. A work of architecture is in contraposition: existing completely and precisely for the requirements of phyisicality, it is like the body a an artificial form, accomplishing exmplary articulation only in abatement of many conflicting empirical fundamentals. Music is natural beauty, the spirit of the free and always-in-flux measure of existence; building structure is that voice imprisoned in a monolith.
The idiosyncratic variations between melody and building are the same as those that may be found between past and present. Of course these are such deep topics that they should be examined best through their comparable duplicates in the natural world, for we must recognize a primary metaphysical tenet that our environment everywhere abounds in such symmetry; that our world, in all ways, is positively the exact representation of abstract unities. The spirit that in all places produces concrete things is a type of eternity within all creation; the mind dwelling within the body is different articulation of something like that.
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Mark Thomson – If Human Achievement Is To Be Promoted To
Dec 4th
If human achievement is to be promoted to its highest potential, a cure must be developed for our limitations. The first condition of any resolution is the understanding and acknowledgement of the defects themselves.
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Therefore while in our society we are spectacularly energetic, tireless, adroit, and well-informed, we remain, when set side by side with the historic Athenians, barely more than substantially underwhelming with respect to our best analytical and ornamental capabilities. The challenge is to actualize these potencies in a setting which has hitherto been difficult to manage — and to encourage them in our great country, and beyond the detached philosopher, scholar, and virtuoso.
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David Wilson – The Characteristic Divergences Between Concerto And Building Are
Nov 28th
The characteristic divergences between concerto and building are as alike as those which occur within time and space. Accordingly these are such abstruse topics that they can be studied best by their corresponding twins in the wilderness, for it is a primary metaphysical assumption that the cosmos everywhere swells in such correspondences; that the universe, in unpredicted paths, is absolutely the precise definition of abstract unities. The vivacity which everywhere produces concrete things is an essential part of time within the universe; the thought dwelling as part of an incarnation is different expression of something like that.
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As that is the conjunction between them, the contrast in the nature of all motifs ascertainable in song and in architecture is self-evident. Harmony is interior, abstract, fanciful, murmuring unambiguously to the heart in a simple and all embracing lingua franca whose promise is made personal and singular in the thought of those who open themselves up to the experience. A work of architecture is a mirrored state: existing solely and singly for the uses of phyisicality, it is almost a a crafted mirror of the living, achieving esthetic presentation only in arbitration of many disharmonous empirical principles. Music is authentic aesthetic, the voice of the immeasurable and perpetually vanishing resonance of creativity; building design is that beauty captive in a monolith.
Similarly, song is dynamic, abstract, mercurial, singular in nature; while architecture remains passive, equitable, tangible, of three dimensions; maintaining comparative relativeness to song and artistic expression as does the human body to the subsectional portions which combine, and sensibilities which animate it (it being the vessel of these tissues and the vehicle of these awarenesses); and a constructed dwelling also will oftentimes include all of society’s values within its facade. Sculpture accents and ameliorates, coating embellishes, stories are stored inside, balladry and play summon its echoes, while melody thrills to its last corners, like the psyche resonating through the flesh.
Stan Jones – Notably, If One Attempts To Analyze An Article
Nov 23rd
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If human endeavor is to be elevated to its highest capability, a panacea must be developed for mankind’s evils. The first requirement for any resolution is the perception and acknowledgement of the faults themselves.
Therefore while collectively we are wonderfully kinetic, tireless, inventive, and enlightened, we remain, as juxtaposed with the venerable Athenians, hardly more than partially complete regarding our loftiest intellectual and artistic faculties. The problem is to strengthen these abilities in an environment which has until now been less supportive — and to encourage them throughout our republic, and more than simply the secluded thinker, educator, and artisan.
If no modern city is an Athens, if no modern poet is matches the great minds of antiquity, if no modern thinker is like a Plato or Aristotle, it is not simply that people today acquire simply a rudimentary intellect and originality and appreciation, but because, owing to causes such as may be part of our providence — situations which are integrated with with our legacy of subduing a vast frontier — the abilities with which history has profusely endowed us have as yet not cultivated and fostered to the entirety of their limit and potency.
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