Likewise, song is never the same, abstract, mental, isolated; on the other hand graceful engineering is passive, equitable, physical, multidimensional; continuing the same relation to melody and other artistic crafts as does one’s physical self to the subsectional portions which comprise, and sensibilities raise it (it being the reservatory of these organs and the conveyance of these cognizances); and a constructed dwelling also may and sometimes does accommodate all of society’s values in its construction Sculpture emphasizes and supplements, decorating adorns, stories are stockpiled within it, metre and theater summon its voices, while music ravishes its farthest recesses, similar to the one’s soul trembling through a man.

Since this is the relation between them, the distinguishing factors in the context of abstractions presented in music and in aesthetic construction becomes self-evident. Melody is interior, transcendant, instinctive, whispering entirely to the heart in transparent and universal tongue whose context is both exclusive and particular in the heart of those who open themselves up to the experience. A designed structure is the exact opposite of this: existing principally and primarily for the needs of our basest needs, it is almost a a crafted mirror of the living, attaining to archetypal presentation only in compromise of many conflicting reasonable principles. Song is pure aesthetic, the cry of the unfettered and ever chasnging measure of existence; building structure is that voice imprisoned in a pattern.

The idiosyncratic differences distinguishing concerto and engineering are as alike as those which occur betwixt time and space. Obviously these are such deep concepts that they can be examined best by their comparable correlatives in the wilderness, for we must recognize a primary theosophic article of faith that our environment everywhere abounds in such symmetry; that nature, in diverse manners, is absolutely the definitive repository of boundless possibilities. The vivacity that in all places animates form is some form of possibility within space; the heart existing as part of the body is further expression of related concepts.

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