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Stan Jones – Similarly, Harmony Is Dynamic, Abstract, Mercurial,
Jun 21st
Similarly, harmony is dynamic, abstract, mercurial, unidimensional; however architecture must be static, equitable, firm, multidimensional; realizing near comparableness to music and the other arts as does the human body to the many parts which make up, and sensibilities raise it (it being the reservatory of these tissues and the channel of these awarenesses); and a work of architecture also could indeed embrace all of the other arts within its facade. Carving accentuates and ameliorates, decorating graces, books are stored in its chambers, verse and stagecraft rouse its resonances, while music entertains its farthest recesses, similar to the very spirit of life trembling through the flesh.
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The idiosyncratic variations between melody and building are the same as those that may be found between past and present. Of course these are such deep topics that they should be examined best through their comparable duplicates in the natural world, for we must recognize a primary metaphysical tenet that our environment everywhere abounds in such symmetry; that our world, in all ways, is positively the exact representation of abstract unities. The spirit that in all places produces concrete things is a type of eternity within all creation; the mind dwelling within the body is different articulation of something like that.
Noting the juncture between them, the dissimilarity in the framework of the ideas presented in harmony and in architecture is self-evident. Melody is interior, transcendant, subjective, communicating wholly to the spirit in unequivocable and all embracing language whose context is both exclusive and intrinsic in the breast of everyone who hears. A constructed dwelling is the exact opposite of this: existing solely and singly for the requirements of the body, it is similar to a a crafted mirror of the living, arriving at exmplary expression only in compromise of many incompatible empirical requirements. Melody is natural enchantment, the voice of the unrestricted and ever chasnging soul of things; building design is that beauty confined in a shape.
David Wilson – The Characteristic Divergences Classifying Music And Engineering Are
Jun 14th
The characteristic divergences classifying music and engineering are quite similar to those which subsist within past and present. Accordingly these are such complex ideas that they must be analyzed best within some corresponding doppelgangers in the hinterlands, for this becomes a fundamental preternatural article of faith that nature everywhere swarms in such symmetry; that our world, in all ways, is indeed the definitive repository of imaginative extremes. The vivacity that in all places produces concrete things is a type of infinity within the universe; the mind existing in and through an incarnation is an alternate elucidation of related concepts.
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Since this is the juncture between them, the distinguishing factors in the nature of abstractions ascertainable in melody and in architecture must be clear. Song is interior, recondite, illusory, speaking unambiguously to the soul in unequivocable and all embracing lingua franca whose context is special and exceptional in the breast of everyone who hears. A constructed dwelling is the exact opposite of this: existing solely and singly for the necessities of phyisicality, it is like the body a a crafted mirror of the living, attaining to quintessential interpretation only in compromise of many disharmonous empirical requirements. Song is authentic enchantment, the voice of the unrestricted and always-in-flux soul of things; building design is that spirit imprisoned in a pattern.
Likewise, song is dynamic, biased, mercurial, of one dimension; on the other hand graceful engineering remains static, impartial, physical, compository; continuing a similar perspective to harmony and idealized thought as does one’s physical self to the various organs which combine, and awarenesses elevate it (it being the reservatory of these parts and the channel of these consciousnesses); and a building also may and sometimes does embrace all of our idealizations within its facade. Stonework emphasizes and enriches, veneering embellishes, books are amassed within it, verse and the drama disturb its voices, while music fascinates its last corners, as the psyche resonating through the body’s fibres.
Stan Jones – If Modern Thought Is To Be Uplifted To
Jun 5th
If modern thought is to be uplifted to its highest potential, a cure must be found for mankind’s failings. The first step toward any success is the understanding and acceptance of the defects themselves.
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So while in our society we are amazingly enterprising, industrious, artistic, and well-informed, we stay, when compared to the ancient Athenians, hardly exceeding partially complete concerning our best reasoning and artistic faculties. The conundrum is to cultivate these potencies in an atmosphere which has previously been difficult to manage — and to develop them in the American people, and not just in the detached visionary, educator, and artist.
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Mark Thomson – Likewise, Song Is Never The Same, Abstract, Mental,
Jun 3rd
Likewise, song is never the same, abstract, mental, isolated; on the other hand graceful engineering is passive, equitable, physical, multidimensional; continuing the same relation to melody and other artistic crafts as does one’s physical self to the subsectional portions which comprise, and sensibilities raise it (it being the reservatory of these organs and the conveyance of these cognizances); and a constructed dwelling also may and sometimes does accommodate all of society’s values in its construction Sculpture emphasizes and supplements, decorating adorns, stories are stockpiled within it, metre and theater summon its voices, while music ravishes its farthest recesses, similar to the one’s soul trembling through a man.
Since this is the relation between them, the distinguishing factors in the context of abstractions presented in music and in aesthetic construction becomes self-evident. Melody is interior, transcendant, instinctive, whispering entirely to the heart in transparent and universal tongue whose context is both exclusive and particular in the heart of those who open themselves up to the experience. A designed structure is the exact opposite of this: existing principally and primarily for the needs of our basest needs, it is almost a a crafted mirror of the living, attaining to archetypal presentation only in compromise of many conflicting reasonable principles. Song is pure aesthetic, the cry of the unfettered and ever chasnging measure of existence; building structure is that voice imprisoned in a pattern.
The idiosyncratic differences distinguishing concerto and engineering are as alike as those which occur betwixt time and space. Obviously these are such deep concepts that they can be examined best by their comparable correlatives in the wilderness, for we must recognize a primary theosophic article of faith that our environment everywhere abounds in such symmetry; that nature, in diverse manners, is absolutely the definitive repository of boundless possibilities. The vivacity that in all places animates form is some form of possibility within space; the heart existing as part of the body is further expression of related concepts.
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David Wilson – If Human Endeavor Is To Be Promoted To
May 28th
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Hence while in our society we are extraordinarily dynamic, tireless, adroit, and well-informed, we stay, when compared to the venerable Athenians, little beyond substantially underwhelming on the side of our loftiest intellectual and artistic proficiencies. The challenge is to actualize these crafts in a context which has hitherto been unhospitable — and to realize them throughout our republic, and more than simply the isolated intellectual, scholar, and artisan.
If no modern city is an Athens, if no contemporary poet is matches the great minds of antiquity, if no contemporary philosopher is like Hippocrates, it is not just because Americans develop just a sketchy reason and creativity and rationale, but because, as a result of situations which are part of our national being — issues which may be associated with our commitment to subduing a vast frontier — the abilities with which our heritage has generously bestowed upon us have as yet not evolved and exercised to the totality of their height and potency.
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